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Guerrilla Intervention – The Art Practice of Ma Yongfeng
by Ma Yongfeng   马永峰

游击干预是针对后极权社会下对意识形态进行全面的隐形控制的一种应对策略,它通过社交媒介和艺术家实际的社会动员来运作,并且采取多种不同的艺术形式,以游击的方式不限时间和地点的进行日常的“微抵抗”,号召所有人都可以通过自己认为有意思的方式发起“业余性”的社会介入,最后让整个控制体本身防不胜防。

Guerrilla intervention is a response tactic that deals specifically with a comprehensive and an invisible control that is present in a post-totalitarian society. It operates through the social media and the actual social mobilizations carried out by artists through forms of artistic expressions. It can be a daily “micro-resistence” carried out in a guerrilla fashion that is not confined within a specific time and place. It urges everyone to intervene in society in a “hobbyist”-style that each one finds meaningful, in the hope to render the controlling body defenseless. [Translation by Lei Chak Man]

Invest in Contradiction

On 25 and 26 April Ma Yongfeng realised the project ‘Invest in Contradiction’ in a French factory in Beijing. It was embedded in the context of ‘Social Sensibility Research & Development Program’, run by Alessandro Rolandi and Bernard Controls. The Social Sensibility R&D Program is a biennale innovative strategic project with the aim to bring artistic research and creativity in contact with the working environment. It is structured around the idea to orient the artists’ work towards developing sensibility among workers, managers and the steering committee of Bernard Controls. Every 3 months, the program invites a professional of the creative field to deliver a project (in any kind of media) whose goal is to help developing new possibilities of human action and interaction within the factory. The long-term intention is to establish partnerships and collaborations with academic, financial, artistic and political structures to explore all the further application of such a model to the field of industry, social research and education.

In Chinese industrial tradition, revolutionary quotes, generally from Mao’s poems, speeches or writings were often painted in large characters on the walls of the factories where millions of workers had to see them everyday. Ma Yongfeng re-interpreted this aspect of Chinese propaganda, creating 7 large graffitis in Bernard Controls Beijing.

The sentences were chosen from random conversations with the workers or the managers, picked from the panels of the working rules, or from the factory’s safety procedures and other similar sources. Each sentence explored an aspect of  life inside the working environment: the need to adapt to a strict control system, the human desire to evade and dream, the pression of efficiency and the humour to be able to deal with all this.

The walls of Bernard Controls Beijing hosted a new subtle form of propaganda, the artistic propaganda for independent and creative thinking.

For more information on this project follow the link.

Other Projects

 

Profile 

Ma Yongfeng is a Chinese artist, activist and initiator of Forget Art based in Beijing. Forget Art is an interventional organisation. It is a series of situation-based alternative tactics in self-institutional forms, it is often mistaken for a regular art collective, it could also be one collective light action almost did not happen, an agency of radical social mobilization, a series of unconventional interviews, an effort of saving amateurism, an art fair with just one booth, or to explore all possibilities of completeness, an indeliberate social media art experiment, or it is the evolution of social practice from micro-intervention to micro-practice, from micro-practice to micro-resistance. Ma Yongfeng’s projects are spatialised and materialised in the street, in public squares or galleries.

Contact

Ma Yongfeng   马永峰
www.mayongfeng.com
myfstudio(at)gmail(dot)com

[1] For more information on this project, please follow this link.
[2] For a video of this work, please follow this link.

This work was submitted by Ma Yongfeng on 18 February 2014.

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